Genre-spanning multi-instrumentalist and two-time National Banjo champion Tony Furtado combines elements of folk, blues, bluegrass, rock, and a whole lot more into a potent Americana musical blend that explores our shared musical frontiers and traditions with fearless creativity. A prolific and adventuresome recording artist, Furtado has recorded nearly 20 critically acclaimed albums since 1990.
His newest album, Cider House Sessions, the follow-up to The Bell — winner of both the Album of the Year and Acoustic Rock Album of the Year awards in 2015 from the Indie Acoustic Project Awards – taps into a three-decade-deep reservoir of original and traditional songs and tunes from Tony’s extensive discography. Performed in an intimate setting before a rapt audience, the thirteen cuts on Cider House Sessions provide a rich and soulful sonic overview of Tony’s musical journey to date. It’s a superb album from a fearless musician, an Americana master hailed as “a major musical force” by David Lindley.
Very few musicians of any stripe so personify a musical genre as completely as Tony Furtado embodies Americana roots music. Tony is an evocative and soulful singer, a wide-ranging songwriter and a virtuoso multi-instrumentalist adept on banjo, cello-banjo, slide guitar and baritone ukulele who mixes and matches sounds and styles with the flair of a master chef (he’s also an accomplished sculptor, but that’s another story). All of the music of America is in Tony’s music. Relix hit the nail on the head when writing of Tony: “True talent doesn’t need categories.”
A native of Pleasanton, California, who now makes his home in Portland, Oregon, Tony Furtado took up the banjo at age 12, inspired by the Beverly Hillbillies TV show and a sixth grade music report. He first attracted national attention in 1987, when he won the National Bluegrass Banjo Championship in Winfield, Kansas. Not long after that, Tony opted for the life of a full-time professional musician, joining Laurie Lewis & Grant Street. A second victory at Winfield, in 1991, bookended his years with Grant Street.
In 1990, Tony signed a recording deal with Rounder Records, one of the country’s preeminent independent record companies. Beginning with Swamped in 1990, he recorded six critically acclaimed albums for the label, collaborating with such master musicians as Alison Krauss, Jerry Douglas, Tim O’Brien, Stuart Duncan, Kelly Joe Phelps and Mike Marshall. During this period, Tony also performed and recorded with the band SugarBeat and the Rounder Banjo Extravaganza with Tony Trischka and Tom Adams.
Beginning in the late 1990s—influenced by such musical heroes as Ry Cooder, David Lindley and Taj Mahal—Tony added slide guitar, singing and songwriting to his musical toolbox and began leading his own band. He is a tireless road musician who performs in a dizzying variety of formats: solo, in a duo or trio or with his full five-person band. He especially values the opportunities he has had to tour with such legendary musicians as Gregg Allman and with such esteemed slide guitarists as David Lindley, Derek Trucks and Sonny Landreth.
Tony has performed throughout the world at top venues and appeared at such prestigious music festivals as the Telluride Bluegrass Festival, High Sierra Music Festival, Jazz Aspen, Kerrville Folk Festival, Strawberry Music Festival, Winnipeg Folk Festival, Sisters Folk Festival, San Jose Jazz Festival and countless others. “I love playing live,” he says. “All my energy is focused on the love of playing music and rolling with the moment. It’s a give and take from the audience to the stage, and back. And the music that is created is something that otherwise might not occur without that flow.” ( Jon Hartley Fox )
“Tony Furtado is a major musical force without a doubt. He has his black-belt in voice and bottleneck guitar and his banjo playing scares the crap out of me.” – David Lindley, musical adventurer
Luke Price is a talented young multi-instrumentalist known for his great balance of taste, rhythm, and technical ability. He is known for pushing genres, styles, and fellow musicians into new territory while delicately respecting the great musical traditions that have come before. He is a two-time National Old-Time Fiddling Grand Champion and also teaches fiddle at the Lewis & Clark College of Arts and Sciences in Oregon.